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Academic Art, Nudes

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  • Atelier Yoyita Art Gallery > Atelier Yoyita English > Figurative > Academic Art, nudes > Nude with jars
     • Expulsion from paradise • Seated female • Nude with lute •  Sacred Love  • The turban •  Back, nude study
     • Nude 2 • Nude 3 • Writing nude  • Contrapposto  • Indian Nude  • Nude with jars • Adam • Eve • Reclining nude • Reclining nude male • Side, nude study  • 
       
     
      Nudo Nude e vasi
    Olio su tela
    102 da 91.5 cm

    Nude with Jars

    Academic art nudes Nude and jars
    Oil on canvas
    102 by 91.5 cm
      Academico arte  nu Nude e frascos
    Óleo na lona
    102 por 91.5 cm
    © Dra. Gloria M. Sanchez Zeledon de Norris Yoyita Arte Clasica desnudo Desnudo y Ollas
    Oleo sobre lienzo
    102 por 91.5 cm
      ルネサンスの裸体の芸術 着席させた女性
    キャンバスのオイル
    102インチ91.5
    Nus nudite Nudité et fioles
    Pastel sur papier
    102 per 91.5 cm
      russian flagОбнаженная и банок
    Холст, масло
    102 на 91,5 сантиметров
    裸体 坐在女性
    油帆布
    由 102 英寸所作的 91.5
      Nudes Sitzfrau
    Öl auf Segeltuch
    102 durch 91.5 cm
     
       

    Academic art, (nudes)

    It is a style of painting and sculpture produced under the influence of European academies or universities.

    Specifically, academic art is the art and artists influenced by the standards of the French Académie des beaux-arts, which practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism", "academicism", "art pompier", and "eclecticism", and sometimes linked with "historicism" and syncretism.

    The art influenced by academies and universities in general is also called "academic art". In this context as new styles are embraced by academics, the new styles come to be considered academic, thus what was at one time a rebellion against academic art becomes academic art.

    The first academy of art was founded in Florence in Italy in 1562 by Giorgio Vasari who called it the Accademia dell' Arte del Disegno. There students learned the "arti del disegno" (a term coined by Vasari) and included lectures on anatomy and geometry. Another academy, the Accademia di San Luca (named after the patron saint of painters, St. Luke), was founded about a decade later in Rome. Academia di San Luca served an educational function and was more concerned with art theory. than Florentine Accademia dell' Arte del Disegno.

    Academia di San Luca later served as the model for the Académie royale de peinture et de sculpture founded in France in 1648, and which later became the Académie des beaux-arts. The French Académie very probably adopted the term "arti del disegno" which it translated into "beaux arts", from which is derived the English term "fine arts". The Académie royale de peinture et de sculpture was founded in an effort to distinguish artists "who were gentlemen practicing a liberal art" from craftsmen, who were engaged in manual labor. This emphasis on the intellectual component of artmaking had a considerable impact on the subjects and styles of academic art.

    After the royal Academy of painting and sculpture was reorganized in 1661 per Louis XIV of which the goal was to order all the artistic activity in France, a polemic occurred among the members who dominated of the artistic attitudes for the remainder of the century. This "battle of the models" was a surplus of conflict if Peter Paul Rubens or Nicolas Poussin were a suitable model to follow. Pousssin followers, called "poussinists", alleged that the line (disegn) should dominate art, because of its call to intellect, whereas the followers or Rubens, called the "rubenists", discussed this color (colours) should dominate art, because of its call to the emotion. The discussion was restored in the 19th century early, under the movements of Neoclassicism characterized by the drawing-model as a Jean Auguste Domenica Ingres, and Romanticism characterized by the drawing-model of Eugene Delacroix. There were discussions about if it were to better learn art by looking at nature, or to learn by looking at the artistic Masters from the past.

    The academies employing the French model formed all over Europe, and imitated the lesson and the models of the French Academy. In England, it was the Royal Academy.

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    Nude with jars Academic Art, nudes, Copyright 1976-2013 © Dr. Gloria Norris.  Click     to contact the artist for prices or information


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