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Christian eschatology Christian cosmology Life after death Latter Day Saint concepts of the afterlife Concepts of Heaven Paradies Himmel Paraíso Paradizo Paradis Oparadisa Sorga Paradiso Paradijs Niebo Paraíso Rai Рай Hieven Parajsa Paradise Рај Paradis Рай Svarga The_Summer_land, Myth_of_Er, Fortunate_Isles, Aaru, Nirvana, Millennialism, Utopianism, Golden_Age, Arcadia, The_guf Well_of_Souls, Valhalla Asgard, Tír na nÓg Mag Mell, Elysium, Empyrean, Hesperides, Celestial kingdom, Terrestrial kingdom, Telestial kingdom Spirit world, Kingdom of God, Garden of Eden, Paradise, New Jerusalem, Pearly gates, Gan Eden, Olam Haba, Jannah, Sidrat al-Muntaha Bybel الكتاب المقدس Biblia Biblia Bibliya Bibulu বাইবেল Sèng-keng Библия Біблія Baebol Biblija Bibl Библия Библи Bíblia Библи Bibliya Bible Baibulo Bhaibheri Baibolo Bibbia Y Beibl Bibelen Biwwel Bibel ބައިބަލް Piibel Αγία Γραφή Biblia Biblio Biblia Biblia انجیل Bíblian Bible Biblie An Bíobla Bìoball Biblia Biblia 성서 Baibûl Աստվածաշունչ बाइबिल Biblija Biblija Biblo Akwụkwọ Nsọ Biblia Alkitab Biblia IBhayibhile IBhayibheli Biblían Bibbia ביבליה Alkitab Biibili ბიბლია Таурат және Інжіл Bibel Bibiliya Библия Bibiliya Biblia Bib Încîl Biblia ພະຄຳພີ Biblia Bībele Bibel Biblija Biebel Biblíya Baibuli Biblia Библија Baiboly ബൈബിള്‍ Bibbja बायबल]] Kitab Bible Séng-gĭng Библи Bibel Ai Vola Tabu Bijbel christendom Biebel बाइबल 聖書 Bibelen Bibelen Bibl'ye Bíblia Kitaaba Ombimbeli ئىنجىل Muqaddas Kitob Xristian Dinida ਬਾਈਬਲ Beibel Bibel Biblia Bíblia Bibilia Biblia Dyuspa Simin Qillqa Библия Bible Bebele Bibla Bibbia cristiana Bible Biblia Sveto pismo Библија Biblija Alkitab Raamattu Bibeln Bibliya விவிலியம்]] İzge yazu బైబిల్]] Bíblia คัมภีร์ไบเบิล Kinh Thánh Таврот ва Инҷил Baibel Tohitapu ᎪᏪᎭᎨᏛ Bivhili Kitab-ı Mukaddes Injil Twere Kronkron Біблія بائبل Bibia Bybel Biibël 圣经 בייבל Bíbélì Mimọ 聖經 İncile Bėblėjė 聖經 الطرد من الجنة ، والجنة المفقودة, 被驱逐出乐园,失乐园, 被驅逐出樂園,失樂園, Verdrijving uit het paradijs, verloren paradijs, Expulsion du paradis, le paradis perdu, Vertreibung aus dem Paradies, Paradies verloren, Απελασης απο Paradise, χαμενους παραδεισους, Espulsione dal paradiso, il paradiso perduto, 除名の楽園、失楽園, 제명 파라다이스, 실락원, Expulsão do Paraíso, paraíso perdido, Высылка из рая, рай потеряли, La expulsión del Paraíso, paraíso perdido
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    Expulsion from Paradise
    Genesis 3 23

    Therefore the LORD God sent him forth from the garden of Eden, to till the ground from whence he was taken.
    So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life.
    King James version

    Expulsion from paradise, english Expulsion from paradise, spanish Expulsion from paradise, french Entfernung vom Paradies, german
    Expulsion from paradise, italian Expulsion from paradise, portuguese Expulsion from paradise, japanese Expulsion from paradise, chinese
    Expulsion from paradise, romanian Expulsion from paradise, quechua Expulsion from paradise, mizquito  

    English
    Expulsion from Paradise
    Oil on canvas
    16" by 20"

         

    Italiano
    Espulsione dal Paradise
    Olio su tela
    16 da 20 pollici

    Previous     Renaissance    Next

    Precedente     Rinascita    Dopo

    Español
    Expulsión del paraiso
    Oleo sobre lienzo
    16" by 20"

    Portuguese
    Expulsion do Paradise
    Óleo na lona
    16 por 20 polegadas

    Anterior    Renacimiento    Siguiente

    Precedente     Renascimiento    Em seguida

    Français
    Expulsion du paradis
    Peinture à l'huile sur toile
    12.7 cm per 17.78 cm

    日本語
    楽園からの排除
    キャンバスでオレイン
    20 インチによって16

    Précédent     Renaissance    Après

    前     ルネサンス    次に

    Deutsch
    Entfernung vom Paradies
    Öl auf Segeltuch
    16 durch 20 Zoll

    中国
    逐出乐园
    在帆布上的油
    由 20 英寸所作的 16

    Vorhergehend     Renaissanceart    Zunächst

    English
    Hanaq pacha muyamanta qarquy
    Lienzopi Oleo
    16ntin 20nintin pulgada
    English
    Expulsion from Paradise
    Oil on canvas
    16" by 20"
    Vorhergehend     Renaissanceart    Zunächst Vorhergehend     Renaissanceart    Zunächst
           
     

    Expulsion from Paradise
    Oil on canvas
    16" by 20"

     
     

    Genesis 1 26 Then God said, "Let us make man in our image,
    in our likeness,
    and let them rule over the fish of the sea and the birds of the air,
    over the livestock, over all the earth,
    and over all the creatures that move along the ground."

    Genesis 1 27 So God created man in his own image,
    in the image of God he created him;
    male and female he created them.

    King James version

     

    The painting represents the Expulsion from Paradise, the Original Sin of Adam and Eve with the eventual judgment of all humankind. The two figures, both naked, are fearing the wrath of God.

    This work of art is composed of six figures. The naked Adam and Eve extend their arms, trying to protect themselves from God's punishment.

    God's left hand expels them from paradise, while His right hand delivers a blessing. The position of the fingers in God's right hand has been taken from the blessing hand of Christ, as in Byzantine icons.

    In Yoyita's conception, in spite of their sin, God blesses Adam and Eve, and therefore humankind, because he directs them to procreate and perpetuate the lineage.

    Adam and Eve, along with God, are in a different plane outside paradise. The earth is barren, symbolizing the arduous work they have in front of them.

    We can see the top of the tree of life in the center of the garden, which is conceived as emanating light, guarded by the inamicable cherubs.

    At the top we have the sword of flames guarding the tree of life.

    The cherubim have on the top of their helmets the different faces as described in the Bible: the face of a lion, an eagle, an ox and a man. Each cherub also has two pair of wings.

    文艺复兴      文艺复兴

    After Adam's fall Paradise is guarded against our First Parents by cherubim who are clearly God's ministers, though nothing is said of their nature. Only once again do the cherubim figure in the Bible, viz., in Ezechiel's marvellous vision, where they are described at great length (Ezekiel 1), and are actually called cherub in Ezechiel, x. The Ark was guarded by two cherubim, but we are left to conjecture what they were like. It has been suggested with great probability that we have their counterpart in the winged bulls and lions guarding the Assyrian palaces, and also in the strange winged men with hawks' heads who are depicted on the walls of some of their buildings. The seraphim appear only in the vision of Isaias, vi, 6.

    The Catholic encyclopedia

    Cherubims (in blue) detail
    Cherubims : an assyrian word that means Karibu (the one who prays).


    Ezekiel 1 6 And every one had four faces, and every one had four wings.

    Ezekiel 1 8 And they had the hands of a man under their wings on their four sides; and they four had their faces and their wings.

    Ezekiel 1 10 As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle.

    Ezekiel 1 11 Thus were their faces: and their wings were stretched upward; two wings of every one were joined one to another, and two covered their bodies.

    Ezekiel 10 8 And there appeared in the cherubims the form of a man's hand under their wings.

    Ezekiel 10 20 This is the living creature that I saw under the God of Israel by the river of Chebar; and I knew that they were the cherubims.

    Ezekiel 10 21 Every one had four faces apiece, and every one four wings; and the likeness of the hands of a man was under their wings.

    King James version

    Other artists who visited the same theme have been Masaccio, Migel Angel, Charles Joseph Natoire, Daniel Vertangen, Benjamin West
    Benjamin West Charles Joseph Natoire Daniel Vertangen Icon Masaccio Michelangelo Natoire Yoyita Ottonian Art Hildesheim Germany
    Benjamin West Charles Joseph Natoire Daniel Vertangen Icon Masaccio Michelangelo Natoire Yoyita Ottonian Art
    Hildesheim Germany
     
     

    The Garden of Eden (from Hebrew Gan Ēden, "גַּן עֵדֶן") (Arabic jannato aden جنة عدن) is described in the Book of Genesis as being the place where the first man, Adam, and the first woman, Eve, lived after they were created by God. The past physical existence of this garden forms part of the creation belief of the Abrahamic religions.

    The creation story in Genesis relates the geographical location of both Eden and the garden in relation to four major rivers (Pishon, Gihon, Hiddekel, Euphrates), as well as in relation to a number of named regions (Havilah, Cush, Asshur or Assyria) (see Genesis 2:10-14). This seems to suggest a setting in the ancient near east, specifically somewhere in Mesopotamia. However, because the identification of these rivers has been the subject of much controversy and speculation, a substantial consensus now exists that the knowledge of the location of Eden has been lost. There is yet no other indication found of its existence beyond the record found in Genesis and other early Judaeo-Christian literature, such as Jubilees.

    In the account, the garden is planted "eastward, in Eden," and accordingly "Eden" properly denotes the larger territory which contains the garden, rather than being the name of the garden itself: it is, thus, the garden located in Eden. The Talmud also states (Brachos 34b) that the Garden is distinct from Eden.

    The Book of Jubilees, canonical to this day in the Ethiopian Orthodox Church, relates a tradition that the angels did not place Adam in the garden until his 40th day, and his wife Eve on the 80th day. Later on (4:23-27), it states that they also conducted Enoch into the garden of Eden when he was translated from the Earth at age 365, where he records the evil deeds of mankind for all time — adding further that the garden is one of four holy places that the Lord has on Earth, the other three being Mount Sinai, Mount Zion, and the 'Mount of the East' (usually assumed by scholars to mean Mount Ararat).

    Tree of life:

    Assyria:

    The Assyrian Tree of Life is represented by a series of nodes and criss-crossing lines. It is an important religious symbol among these peoples. It is often attended to by Eagle Headed Gods/Priests or the King himself.

    China:

    In China, carvings of a tree with a bird on top and a dragon at the bottom were discovered fairly recently. The dragon, of course, often represents immortality in Chinese mythology.

    Germanic paganism:

    In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic neopaganism, continue to play) a prominent role in Germanic paganism, appearing in various aspects of surviving texts and possibly in deity names.

    The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it.
    Perhaps related to the Yggdrasil, accounts have survived of Germanic Tribes honoring sacred trees within their societies. Examples include Thor's Oak, Sacred groves and the Irminsul.

    Hebraic monotheism

    The Tree of Life is mentioned in both the Books of Genesis, in which it grants immortality to Adam and Eve, and Revelation, in which it is referred to as the Word of Life. (It is not immediately obvious nor is it universally accepted that the Book of Genesis account and the Book of Revelation account speak of the same tree of life. The apostle John, generally recognized as the author of the Book of Revelation, most likely had in mind Ezekiel 47:12 which also reinforces the idea that the singular tree in the Garden of Eden has now expanded to an orchard of Trees of Life.)

    A tree of life in the form of ten interconnected nodes is an important part of the Kabbalah.

    The tree of life appears in the Book of Mormon in a revelation to Lehi (see 1 Nephi 8:10-12). It is symbolic of the love of God (see 1 Nephi 11:21-23) and sometimes understood as salvation and post-mortal existence.

    Japan:

    In Shinto, trees were marked with sacred paper symbolizing lightning bolts, as trees were thought to be sacred. This was propagated by the fact that after they passed, ancestors and animals were often portrayed as branches on the Tree.

    Mesoamerica:

    Among pre-Columbian Mesoamerican cultures, the concept of "world trees" is a prevalent motif in Mesoamerican mythical cosmologies and iconography. World trees embodied the four cardinal directions, which represented also the four-fold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.

    Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of Mesoamerican chronology. Among the Maya, the central world tree was conceived as or represented by a ceiba tree, and is known variously as a wacah chan or yax imix che, depending on the Mayan language. The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk

    Directional world trees are also associated with the four Yearbearers in Mesoamerican calendars, and the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Féjerváry-Mayer codices.[4] It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.

    World trees are frequently depicted with birds in their branches, and their roots extending into earth or water (sometimes atop a "water-monster", symbolic of the underworld).

    The central world tree has also been interpreted as a representation of the band of the Milky Way

    الطرد من الجنة ، والجنة المفقودة, 被驱逐出乐园,失乐园, 被驅逐出樂園,失樂園, Verdrijving uit het paradijs, verloren paradijs, Expulsion du paradis, le paradis perdu, Vertreibung aus dem Paradies, Paradies verloren, Απελασης απο Paradise, χαμενους παραδεισους, Espulsione dal paradiso, il paradiso perduto, 除名の楽園、失楽園, 제명 파라다이스, 실락원, Expulsão do Paraíso, paraíso perdido, Высылка из рая, рай потеряли, La expulsión